Showing posts with label Stencils. Show all posts
Showing posts with label Stencils. Show all posts

Wednesday, 29 November 2017

Christmas Flora


Christmas Flora


Hi There!

It's nearly here..... that most
wonderful time of the year, as
the song goes.

Thought we'd take a look at
some Christmas images from
the natural world.........

So to start off on our quest
for Christmas Flora, here is
Jane Castle:

"For my project this week I've chosen 'Holly & Ivy' 
as I love cutting these from the garden and 
decorating the house over the Christmas holidays. 

This time I've decided to move away from 
the traditional greens and use various blue hues 
with some added sparkle.

To begin with I coloured some white card 
with Distress inks, stains and PA Infusions.


This was then stamped and heat embossed
 for my ivy leaves and also die cut for my 
holly borders.


Next I stencilled the top left-hand corner 
and the bottom right-hand corner of my card blank 
using Iced Spruce and an Imagination Crafts stencil.


Grunge paste was then applied through my
 Tim Holtz stencil.

 I masked off areas around the word Christmas
 so as not to end up with any unwanted splodges! 
( so easily done)


The stencil was removed, cleaned and replaced 
to add Merry above as I found it easier 
to centralise the longer word first.

The Grunge paste was then covered in 
glitter whilst still wet.


The holly border was trimmed to size,
 dots of Liquid Pearls in Pewter were added
 for the holly berries and finally the ivy leaves 
were shaped and stuck in place.


Then looking at the stencils I'd used I thought
 of other ways of using everything previously 
prepared for the card. 

I cut some large white card tags and 
came up with the following:


This had the addition of a couple of 
self adhesive gems.


This one had Ranger Perfect Pearls brushed
 onto the stars and I used another die from
 the same set.


The holly border was trimmed using the 
corners rather than the long sides.


And finally on this one I applied the 
grunge paste through the other stencil
 creating a completely different effect.

I could have done many more variations 
and all of these could easily be adapted 
for cards.


So for just under £25 for the 2 stencils, 
the die set and the mini stamp I could
 make all of this years christmas cards and 
tags without getting much more out on 
my bench ---- that's got to be good value!

I have now decided to make several 
batches of the large tags in different 
colours, place 4 different ones in a cellophane 
bag and give them to my Mum's care home 
to sell at their Christmas Fete."


Items Used 


You have certainly started
us off on the right track
Jane.  Thank you for a
lovely idea too - those sets
should sell very well at
the Christmas Fete

'Till Tomorrow

Mickie xx











Thursday, 26 October 2017

Iconic

Iconic


Hallo Everyone!

Another fine day for
planning a project or
even making one.....

I came across an article
in an arty mag about
Icons and was attracted
by their strong colours
and images, which
inspired me to approach
the Design Team.........

Craftyfield was the first
to take on the challenge
and here she is:


When I think Diptychs or Triptychs I am 
reminded of Byzantine icons, painted on
 wood, with rich colours and a lot of gold...

I set out to emulate these icons, 
minus the religious connotations, in this project.


 First I prepared the wood with a light
 sanding and 2 coats of Gesso.


 I stamped an "old" image on the left
 and a contemporary image on the right, 
maybe these 2 are from the same family
 across the ages...

The right side has been sanded smoother
 for a less aged look.


 I used acrylic paints to colour the images.


I applied a coat of red acrylic paint (DecoArt)
 and some gilding wax through a stencil 
for the outside of the diptych.


 Next I applied some crackle paint on 
both front and back panels, although 
for some reason there wasn't a lot of 
crackle this side (the red side). 
Maybe I spent to long going back
 and forth with the brush?

I followed this with a raw umber glaze
 to show up the cracks, buffing with a 
dry cloth before the glaze had time 
to dry on top of the crackle layer.

This gives an aged look effortlessly.



I applied Treasure gold all around the panels,
 front and back and finished by stamping 
and embossing in gold a quote 
(also from HP1008). 

The wood wasn't smooth enough for a
 perfect stamping but since I was
 making an old icon I figured the writing
 might have rubbed off."


Thank you Craftyfield, a
great start to this week's
theme.  I love those rich,
bold colours too.....

Of course, if you felt like a
change of stamps, take a
look here or here

I think those hinged frames
would lend themselves to
this treatment too ..........

Hmmm, that's got me thinking
Haha!  Watch out world!!

'Till tomorrow

Mickie xx



Saturday, 7 October 2017

Animal Farm


Animal Farm


Hallo Everyone!

Here's the last in our series
on Animal Farm so sit back
and relax, perhaps with a
cuppa?  Claire Jackson is
going to take you to the
farm......................


"One of my favourite techniques is 
to use masking to create images which 
appear to be layered and have depth, 
but which are actually flat. 

Admittedly it might sometimes be easier
 to decoupage the images...............
but where’s the fun in that?!


First I stamped the cat slightly off centre on a 5” square
 of card and again on a sticky note.


 Next I cut the sticky note to create a mask
 and layered a stencil on top. 
If you think you might move it use 
masking tape to keep it in place.


 I cut a circle from the centre of a piece 
of card and layered it over the image 
and the first stencil 
(keeping the circle from the middle.)


I sponged Distress Ink over the aperture
 and stencil. I then removed the stencil and
 drew around edge of the aperture with
 a fine pen and added stamping over the top.


When I removed the sticky note mask 
the aperture it looked like this.


Next I masked the cat again with the
 sticky note and used the circle to mask off
 the centre, before adding stamping to the 
outside part of the card and splatters 
of Distress Ink.


 Leaving this when I took the masks away.


I coloured the image with alcohol markers
 and added a shadow around the cat
 and the circle to create the illusion of depth.


 Next I added a sentiment and made two
 tiny holes through which I threaded 
a paper flower.     Oh all right, 
so it’s not completely flat!


To finish off I mounted it on a card blank...


before doing another one!"


Thank you Claire - they're
great cards


Well, that's set me up for the
day ahead.  If I hit a sticky spot
I shall think of this tutorial and
smile..............I hope!

Have e a good day

'Till tomorrow

Mickie xx

Friday, 8 September 2017

Holiday Album



Holiday Album



Hallo There!


This is one you can take with
you and insert the ephemera as
you go and add a few pictures
when you get back.

You might want to get a cuppa
at this point....

Craftyfield is going to show us
how to go about a Midori style
book:


"The trend for Midori books has reached 
our British shores, an offshoot of the recent 
popularity of planners. Personally, although I had
 trouble giving up my pocket diary, 
all my planning is digital. 

Still, I saw potential in the Midori for
 a book of sorts, that would suit the
 commitment phobe in me. 

The Midori uses elastics as binding, and,
 with this system I can add and remove pages 
without fuss. Moreover they don’t need
 to be all the same size!


I enlisted Mr Google to answer the question
 “What is Midori?” in a clear and concise manner:
“Midori” refers to a particular Japanese brand 
of traveller’s notebooks, which also makes
 several supporting products such as 
various types of refills, standalone notebooks, 
stickers, and the like. “Fauxdori” is a blanket term 
generally used to define traveller’s notebooks
 that are not made by Midori. 
So strictly speaking I made a Fauxdori….




Today I am showing you how I made and 
decorated the cover for my Fauxdori and how 
to make a simple notebook. 


I selected a heavy calico for my cover and
 gessoed the fabric both sides in preparation
 for painting in acrylics.

For smaller Fauxdori you could use already
 prepared canvas, such as Texture mounted
 sheet by Stix 2 which you can decorate anyway
 you like and even use with your printer.

Dimensions:

I decided on my pages size to be 
8” tall and 6” wide 
so I created a cover 9” tall and 14” wide.

I cut a piece of heavy weight calico
 11” tall by 16”, adding 1” all round for a 
“seam allowance”.

In the metric system, the cover will be
 23cm tall by 35cm and require a piece of
 fabric 28 by 40cms. 

This will accommodate A5 notebooks.

If you want to create your own book in a 
different size, use the formula:
Height (of finished book) = page height + 2(1/2”) margin
Width = page width x 2 + spine + 2(1/2”) margin

Add seam allowances if you are wrapping 
the fabric or paper over to the wrong side. 
The spine will depend on how many notebooks
 you want to fit in but I suggest 1" (2.5cm) minimum.


I applied paints and spread them with a 
painting knife (you can us old credit cards instead). 
I tackled one side at a time to avoid the 
paint drying too quickly.


Adding layers of paints in blue and white



Stencilling with acrylic paint and the Drop Screen
 stencil by Imagination Crafts.



Stencilling with Grunge Paste and 
Tim Holtz Sunrays stencil and a DIY stencil 
die-cut with a Mixed Media Thinlit.
 (In the end I didn't use Andy Skinner's
 Route 66 stencil.)


Stamping :
I used Archival inks in Blue and Brown 
and also acrylic paints with several 
Paper Artsy sets


As a final touch I used Color Bloom 
sprays on the Grunge paste.

Backing the cover:
 I cut a piece of sturdy card measuring
 9” by 14” and tidied up the excess material, 
including the corners. 

In the Midori style I rounded the corners
 of the cardboard although with the fabric 
on top it will not look completely rounded.

I used liquid glue to stick the cardboard
 to the canvas.


Now onto the binding. 
The notebooks or pages will be held by elastic
 cords threaded through holes in the cover. 

The picture shows the sequence to 
follow when threading the cord. 

First find the middle of the cover and make 
3 pencil marks ½” from the top of the cover, 
in the center, ½” left and ½” right 
of that the mark.

 Repeat ½” from the bottom. 

The cord will need to be at least 4 and a half
times  the height of the Midori cover.



 Make the holes and set eyelets if you wish
 to minimise the wear and tear on the holes. 

An additional hole in the middle of the spine
 will be used for the closure of the Midori.


Thread the elastic cord for the closure with
 both ends on the inside of the cover, making sure
 you have enough room to go over the book
 before tying in a knot. 

To prevent fraying you can pass the
 ends briefly through a flame. 

You can add charms before threading.


 All threaded now... 

I have left quite a bit of length on the
 cords at this stage as I want to "live" with 
the book before cutting the excess. 

The edges are rather rough but I decided 
not to line the inside as it would have made the cover
 more bulky and not supple enough.



The classic Midori would contain standard notebooks,
 shop bought. Today I will show how I made my 
own version of a notebook, more of a sketchbook 
really, since I used watercolour, cartridge papers
 and some of my own Gelli prints. 

In a future instalment I will show you 
other inserts I made for my Fauxdori.


Gather your pages and cut them to the same height.
 My Fauxdori will work with standard A4 pages, 
folded in 2, but I cut mine to 71/2" (19cms) because 
the Gelli prints had an unsightly blank margin. 

Fold the pages in half and score them, then line
 them up together and staple them in the middle.

I can open my stapler as you see in the photo 
to reach anywhere on the page and then I 
have to close the staple myself with pliers or similar.


All stapled and the stapler back to closed position.


 With the notebook bound, I cut the pages 
to the same width with a craft knife and a ruler.
 
To put in the Midori open the book to the 
middle pages and place under one of the 
elastic cords. 
Simple as that!

 Photos of the finished book. 

The spine...



 The back...



The front...


And the "notebook"..."


Supplies:

DecoArt Paints:
Stencils: 
Stamps: 
Ink: 
Sprays:
Glue:
Eyelets:
You'll find the cord in haberdasheries.


Wow Craftyfield that is a fantastic
tutorial!  Thank you very much
I'm looking forward to more!

In the meantime I shall be starting
a Fauxdori of my own and to this end
I have bookmarked this page as
there is no way I am going to
remember everything - I did think to print 
it out but in consideration of the
environment I think the bookmark
will suffice.

These would also make rather nice
presents wouldn't they?

'Till tomorrow

Mickie xx